Exploring the wonders of creation through a 50mm lens...and other lenses too.

To close out 2018 I thought I’d share this picture that I took in November on a rather unusually snowy morning here in Oklahoma. Where as the classic Christmas tune speaks of walking in a Winter Wonderland, we don’t usually get scenes like that down here and instead it’s more common to have temps in the 40’s with a smattering of snow every now and then. It’s a welcome sight, then, to wake up to snowfall and chilly temps even if it’s only temporary, and as such I figured it would make an appropriate image for the time of year as well as the Christmas season.

Most of the year I don’t really post pictures that have much in common with the dates on which they are published, usually because I schedule posts many weeks in advance and don’t have any kind of grand master plan behind the photos I take and share. As the year winds down though I do like to take a minute and reflect on things, if you will, and that sentiment is kind of echoed in this image. In some ways 2018 was a difficult one and while I’m not going to get into the details here, suffice it to say that as the year is drawn to a close I find myself really taking to heart the old adage of live each day to the fullest. Not in the sense that I have to do extreme skydiving or run triathlons or anything like that, but that partly because of some losses my family and friends have endured this year I really have made more of an effort to use my time more intentionally. Some would say wisely, but I would say that I just hope I’m not being lazy or sitting around and waiting for things to happen and instead trying to make sure the people in my life know I love them and that I’m doing things that matter.

One of my favorite songs of all time is Heart’s Cry by Steven Curtis Chapman, and there’s a line in it that goes like this:

This is my heart’s cry – to stand before the Father one day and hear Him say well done – this is my heart’s cry.

We don’t have a lot of time on this earth, and when I finally meet my maker I hope to stand before Him and know that I did well with the time He gave me. That I was a good father, a good husband, and a good friend. That we trained up our children in the way they should go, such that as they grow old they will not depart from Him. The scene in this week’s image, that of a path going into the distance on a snowy morning, to me represents both the mistakes of the past and the promise of the future, and while the way might be blurry at times we are never far from the love of Christ. The same Christ whose birth, and life, and death, and resurrection, we celebrate at Christmas and throughout the year.

So while this picture represents the end of one year it also, hopefully, shows the beginning of a new one as well. And while we can’t ever be sure of what the future will hold, we can do our best with the time we have right this very moment. So do what you can to make this day count.

As a bit of a postscript, I will say that my sister lost her three-year battle with breast cancer this past March. You can view my eulogy for her at the link below, and if you or anyone you might know would find a sense of comfort in the message please feel free to share it.

 

Lately I’ve been return to my roots a bit, photographically speaking, and doing a bit more shooting with my D7100 + 50mm lens and honestly, it’s been really really nice. As much as I like my Fuji X100F (and you know I like that camera!) there’s something about going back to where it all started and using my crop-sensor camera and the first lens I ever bought. The very same lens, in fact, that got me to start this Weekly Fifty blog way back in the spring of 2013.

When one of my friends from work suggested I bring my camera to get a picture of some of the monarch butterflies that were alighting on the flowers in the garden in front of the Student Union, I thought it would be the perfect opportunity to get a classic 50mm shot. Due to their sheer size these butterflies make good photography subjects since you don’t have get in super duper close like you might with smaller creatures. I knew that I wouldn’t be able to get a shot like this one earlier in the year due to the time of day and different lighting conditions, but I figured I would at least be able to capture something interesting and colorful nonetheless.

After a few shots at f/4 I decided to go all-in and leave my aperture firmly at f/1.8 because…well, why not. Depth of field at f/1.8 is so unwieldy I knew I would likely get shots that were slightly out of focus, but I really wanted to focus the viewer’s attention firmly on any butterflies I was photographing which called for a super wide aperture despite the issues that situation sometimes causes. I got plenty of images I liked, and sure enough several were front- or back-focused, but this one was one of my favorites because of all the color as well as the interesting foreground element. Which was, I might add, an intentional compositional choice on my part. I specifically shot this with those two branches in between my camera and the butterfly to create a sense of depth and perspective that just wasn’t present in most of my other pictures. It turned out pretty well focused too, and even zoomed in all the way you’ll notice that the butterfly is nice and sharp right where it counts.

The third and final image from my series of photos taken while traveling from Nebraska to Oklahoma, this one is a bit different in that it’s actually not off the beaten path at all. It’s not taken from a dirt road, winding highway, or secret spot of any kind. In fact it was taken on a very busy stretch of Interstate 35 just south of the Oklahoma border, and this is a scene I have probably driven past dozens of times over the years and never really thought about very much. But when you look at the world around you in terms of photography opportunities, it’s interesting what can really jump out at you.

If you saw last week’s photo you know the sky was kind of overcast on this day but at this point it had stopped raining outright, leaving some good lighting conditions for taking photos. Since I was on the interstate at this point, having left Highway 77 in favor of faster speed limits, I was really just wanting to get back home and not really interested in taking pictures anymore. But when I noticed this oil pump just west of a rest stop (one of those parking-only deals where you can pull off the road and stretch your legs, but not much more) I really wanted to get a picture of it because…well, once that photography bug bites you it’s hard to ignore.

It wasn’t until I got out and was framing the shot in my camera that I noticed the wind turbine in the distance behind the pump, and I thought the contrast between old and new would make for an interesting image. I wasn’t really sure about the aperture to use though, because I didn’t want to blur the windmill too much but I also wanted to make sure the pump was firmly established as the focal point. I ended up shooting this at f/4.8 but to be honest it didn’t turn out that different from others shot at f/2.8. What really mattered to me in the end, as I was looking through the images on my computer, was the position of the blades on the turbine.

It’s difficult to explain, but in a lot of the pictures the blades just didn’t look interesting. They seemed static and lifeless, or just plain weird such as one blade pointing straight down with the other two angled upward. This picture somehow conveys a sense of movement and depth in the turbine blades, which combined with the pump fully above the horizon (this was also moving up and down as I took pictures) resulted in an image that seemed much more interesting to me than some of the others.

All my photos and audio commentaries are now available at the Weekly Fifty YouTube Channel:

Weekly Fifty on YouTube

When I started Weekly Fifty nearly six years ago I also included a podcast with my audio commentary tracks, but I did this more as a curiosity than anything. I always knew it wasn’t super practical to have audio-only tracks where I would talk about pictures that the listener wouldn’t be able to see, but I figured it wouldn’t really hurt to make this sort of thing available anyway in case some people happened to prefer it. Occasionally I thought about putting my photos and accompanying commentaries on YouTube but the longer the blog went on the more this seemed like an insurmountable task: it would require me creating a QuickTime file for every single picture and audio track, now numbering over 300, and then uploading them and including a link back to the blog for each one as well. It just didn’t seem like it was worth the effort.

Over time though I started to think a little more about this and eventually realized that the work required for each individual image wouldn’t be that much, it would just take a while to do it for every photo. So as with any daunting task I started with a single picture and slowly expanded over time until I had all my images online. I’m going to do this for every photo from here on out as a way of offering these images and commentaries for people who want a more convenient way of accessing them other than the blog, and doing it on YouTube means people are (in my estimation) more likely to go back and look at images from past years instead of just the most recent one.

This isn’t going to change anything about the blog, and the best place to see these images is always going to be here where you can also click through to the high-resolution Flickr version and read the commentary as well as listen to it. But for those people who prefer to see all of these images and hear what I have to say on YouTube, well…now you’ve got a way to do that :)

The second in my series of images shot on my way home to Oklahoma, this one was in Beatrice, Nebraska, looking east from where Highway 77 crosses the Big Blue River. If you click on that link it will load the Google Maps Street view of this scene which, as you might notice, is vastly different in terms of lighting and overall colorization compared to what you see here. Just like last week’s image the weather here was overcast and drizzly, and since I had driven over this bridge many times in recent years I certainly wasn’t expecting to stop and take pictures. But as I crossed the river and looked off to the west I realized that the scene could make for an interesting photo opportunity.

Whenever I’m driving solo I have to balance the time I spend driving with the time I spend stopping, and all the little 5- and 10-minute respites to take photos can really add up and have the unfortunate side effect of stretching a 6.5-hour drive into an 8-hour drive, and that was certainly on my mind here. Was this bridge really worth stopping for? I didn’t know for sure, but after I parked my car in a nearby lot I literally ran over to the spot where I shot this photo so I could make this little side jaunt as brief as possible. I had my D750 and 70-200 lens and as I took a few images I quickly realized that it wasn’t necessarily the old rail bridge that was going to make for an interesting picture but also its reflection. Somehow that seemed to add a unique element to the photo, so I zoomed out and took a few more pictures at about 75mm which is what you see here.

In thinking about this image after the fact I realized that this same photo could have been taken with my Nikon D200 and 50mm lens, since the focal length I ended up using on my full-frame camera is very close to shooting 50mm on a crop-sensor camera. Basically, even though I was shooting with a couple thousand dollars worth of camera gear I could have done the same thing with a camera/lens combination one-tenth the price. It was a healthy reminder to me, even after all these years, that good pictures don’t require fancy cameras or expensive lenses. Certainly those elements can help, but often it’s just seeing the opportunity for a picture and then taking the time to capture it that really makes all the difference.