Exploring the wonders of creation through a 50mm lens...and other lenses too.

To those of you who shoot film…I salute you.

I took this photo this when my wife and I were on a walk at Arcadia Lake just northeast of Oklahoma City, and as I knelt down on this leaf-strewn path I thought about my buddy Ryan who has taken some absolutely breathtaking images similar to this, but with a lot more mountains and water, using nothing but a light meter, some math, and a film camera. I had no such tools at my disposal and instead went with a decidedly modern approach: I shot this with my Fuji X100F which, despite looking kind of like an old-school film camera, is all ones and zeros on the inside. And as such I let the camera take care of all the heavy lifting. I was using Auto ISO with a minimum shutter of 1/125 and shot the first version of this at f/4 which, thanks to the ability to see the final image on the LCD screen on the back of the camera, I realized had a depth-of-field that was much too shallow. So I dialed in an aperture of f/8, focused on the tree  halfway down the path, and took the shot you see here.

Then when I got back to my computer I used Lightroom to edit the RAW file to my taste. The entire process was digital from start to finish, and while I’m certainly happy with the results I wonder what I would think if had shot this on film. Even something as simple as nailing the exposure would have been difficult because of the mix of highlights and shadows, and I almost certainly wouldn’t have gotten the composition to look how I wanted with the green mossy rock slightly out of focus in the foreground and horizon neatly bisecting the image just above the lower third.

Film shooters…you have a tricky job and I appreciate the work that goes into capturing images without a digital safety net.

What a blast from the past this was! I haven’t seen a stereo like this in years, so you can imagine my surprise when I was biking home from work and saw this old thing lying by the side of the road about a hundred yards west of a drainage ditch. It practically screams 1997 with a CD player, tape deck, analog radio tuner, and even an FM antenna wrapped around the handle. Just seeing this thing brought up all kinds of memories from high school and sitting in my basement listening to music while playing Zelda: Link’s Awakening on my Game Boy.

When I first biked past it was cold and the sun was rapidly setting, so I made a mental note to bring my camera and get a picture of this music machine on the way to work the following day.I figured my Fuji X100F would be perfect for the picture though I thought about bringing one of my DSLRs, but the picture I was envisioning was really better suited to the lens on the Fuji as opposed to any of the lenses I have for my Nikons. I knew I wanted to get a shot of the stereo and some of the surrounding environment, and the Fuji along with my Gorillapod proved to be just the ticket.The next morning the boom box was still there so I parked my bike on the boulevard, got out the camera and tripod, and took a few minutes for indulging in my photography.

To get a really clean image I set the ISO to 200 (I normally use auto-ISO, max 6400 with minimum shutter speed of 1/125) and opened the aperture up to f/2.0, but also activated the ND filter so I could get a longer exposure of 1/2 second. I was hoping to get some light trails from passing vehicles and when I was satisfied that I got the image I was hoping for I packed up, pulled my gloves back on, and went on my way to work.However, while I was looking through the photos I noticed something that I did not expect. The image I envisioned, that of the stereo in the grass with car headlights in the background, was decent but it paled in comparison to the image I ended up selecting for this week. See for yourself:

Do you notice the difference? While the second shot does indeed have a mark of light on the left side, the entire picture feels dull and lifeless compared to the one at the top of the page. Unbeknownst to me, I had inadvertently taken a picture (that I ended up using) with an oncoming car behind me whose headlights were casting a really nice yellow glow on to the stereo. It gives the subject a sense of life and vibrancy that’s totally missing from the second image, and really goes to show how much lighting can impact the overall results of a photograph.

On my way home later that day the boom box was gone, perhaps picked up by a passer-by or maybe just thrown into the trash. Either way I’m glad I was able to capture it for one moment as a fun trip down memory lane.

Here’s an interesting case of finding a photo opportunity in a somewhat unexpected scenario. I was out for a short walk around Theta Pond in the afternoon when I came across this…uh…plant? I don’t know what it is, but there’s a lot of them around the pond here at OSU and I’m no botanist as you probably know by now. Anyway, the scene was altogether unremarkable, except for one interesting twist: the sun was already getting low on the horizon which made for a unique mix of colors and light.

Normally when I’m taking pictures I tend to put myself between the light source and my subject, but in this case I did the opposite. By positioning the subject (i.e. this withering, brown, and mostly unremarkable leaf) between my camera the the light source (i.e. the sun) it created a neat effect where it almost seems like the leaf is glowing. I didn’t think about this at first, mind you, and it was only after a few minutes of playing around with different compositions that I stumbled across this particular angle and figured I would give it a try.

The first thing I did was put my camera (in this case, my Fuji X100F) in RAW instead of JPG because I figured I would need the leeway when editing. Then I had to figure out what to shoot and how to shoot it. I realized that if I got down low, shot at f/2.8, and tried to compose the shot in such a way that there would be a bit of foreground as well as background, it might look interesting. I put the leaf slightly off center and I think the end result works quite well. To give you an idea of what I was working with I returned a few hours later on my way home from work and took a picture after the sun had gone down a bit farther. You can see it below, and the leaves in the shot above are circled in red.

Pretty boring, eh? I guess it just goes to show how much of a difference lighting can make when taking photos. And I would challenge you to keep this in mind as well, especially at times of the year such as winter (for those of us in the northern hemisphere, that is) when the sun is often much lower on the horizon compared to the summer months. You might find that otherwise ordinary scenes become transformed into rich photographic opportunities.

I have taught a class called Information Technology Project Management at Oklahoma State University for the past four and a half years and it really is one of the standout parts of my job. While I do miss teaching high school, which I did in Minnesota for several years, I have really come to appreciate working at a university and also teaching college-age students. Many of them in my class are near graduation and they are getting ready to move away, start careers, or take a year off to just go see the world. It’s a fun opportunity to be able to teach them and each semester I cap off my class with a batch of homemade chocolate chip cookies.

I always like to involve my kids in this process and usually make their consuming of said cookies contingent on their willingness to pitch in with the creation process. Normally I would just stand near them, hold my camera at eye level, and take a photo but this time I wanted to try something a bit different. I stood on a chair, held my Fuji X100F out at arm’s length, set the aperture to f/2.8, and fired off a few shots from directly above. I rather like the result even though I wasn’t entirely sure where to focus, and as such my son’s head on the left is a bit blurry but I do think it works to draw the viewer’s attention to the mixing bowl and other baking implements.

As I look back at photos of my kids that my wife and I have taken over the past seven years the ones that seem to have the most impact are the ones that also convey a sense of time, place, and activity. A headshot is great but if that headshot can be part of a larger story that’s even better, and I think that’s one reason I’m happy with this picture. I like that both boys are intently staring at the mixer, I like that there’s a bit of a mess on the counter, and I like that it clearly tells a story of something that’s happening. Plus I like that it involves homemade chocolate chip cookies :)

If last week’s post was about the end of one year, this week’s image is about the beginning of a new one. It’s a bit ironic though, since I shot this in November 2018 and what you’re seeing here isn’t the beginning of anything. In fact it’s the last gasp of light and life from our Chinese Pistache tree in our back yard, and the very next day after I took this photo the scene here was one of dull, lifeless brown. Still, the picture represents renewal for me despite what is actually happening in it, and I like to think that with the onset of another trip around the sun it’s pictures like this that are going to mean something a little more.

So a bit of background here. It was a chilly Saturday morning and I was eating breakfast with my kids while my wife slept (I like to let her sleep in on the weekend if possible) and noticed the sun peeking over our fence. Our trees had been losing their leaves and the green grass was riddled with spots of yellow and orange, and the early morning sun cast an almost otherworldly glow on the whole scene that was accentuated even further bit near-frozen dewdrops on nearly every surface. I wondered if it would even be possible to capture some of the scene with my camera but knew I only had a few minutes to try, so I grabbed my trusty Nikon D7100, popped on my 50mm lens, and set out to see what I could get.

One of the nice benefits of a newer camera like my D750 (which, as a model released in late 2014, isn’t even all that new anymore) is a tilting rear screen which makes composing low or high shots in Live View a lot easier. My D7100 doesn’t have any such feature so I simply held it as low to the ground as I could, focused as best as I was able to given the constraints of the situation and the fact that I was working in Live View as opposed to the optical viewfinder, and fired off a handful of shots hoping one of them would turn out. The trickiest part was finding a scene to shoot, which wasn’t as easy as it sounds. I didn’t want just a generic image of grass and leaves; I needed a focal point to draw in the viewer and serve as the subject of the image. After moving around a bit I found it in this leaf that you see above, which was poking upwards amidst the green grass and morning dew.

I shot this at f/2.8 instead of f/1.8 to give myself just a bit of leeway in terms of overall depth of field, and I think my favorite part is the bokeh ball just to the right of the pair of yellow leaves. It has the rather unique and, altogether unplanned on my part, property of being divided into three sections because of the way the light is altered by some grass. I didn’t notice that at the time I took this shot but realized, as I was looking through the pictures afterwards, that I rather liked that little bit and thought that it served as kind of an interesting added touch to the image.

So here’s to a happy, healthy, prosperous, and joyful 2019. Today is a day, and this year is a year, full of possibilities. So let’s go exploring.