Exploring the wonders of creation through a 50mm lens...and other lenses too.

This was a fun picture to take partially because of the bit of challenge it presented, but also because it was just a really enjoyable day to be out at the lake with my camera. As my wife and I were walking around the lake here in town while our boys rode their bikes, I paused a few times to get some pictures just like this with various brown plants and leaves as subjects. The weather conditions were kind of unique in that there was virtually no detectable wind whatsoever, and no clouds in the sky, combined with temps in the 40’s or 50’s which made for really fun photo conditions. On the south side of the lake I got a couple shots like this but with grass instead of…whatever this thing is…and while they worked out OK the lighting wasn’t that great and the subjects were a bit unclear. I was shooting with my Fuji X100F so it was difficult to isolate my subject in the frame, but when we got to the south side of the lake and came across this scene I realized that it was just what I was looking for.

I knew I wanted this withered flower to be right in the center of the shot as opposed to on either side, but two big questions ran through my mind:

1. What aperture should I use?
2. Where should I place the horizon?

I really wanted the background to be blurred out but nevertheless discernible, but I wanted the subject to be nice and sharp as well. Shooting subjects close-up at f/2 is not exactly the X100F’s forte because that lens gets pretty soft in those specific conditions. F/4 didn’t quite give me the background blur I was aiming for, so I settled on f/2.8 even though the subject is a bit fuzzy around the edges. It’s a compromise I’m quite happy with.

As for the horizon, I wasn’t really sure what to do so I shot several different versions of this picture. Some were like this, some had the ball (or whatever you want to call it) right in the middle of the horizon, and some had it much lower. I ended up liking this one the best but not for any specific reason that I can articulate. It just looks the most interesting to me. I really liked that the lack of wind resulted in a glassy smooth lake surface, and even though this picture is awash with blue tones I hope it feels at least a little warm and inviting because that’s certainly how it felt on this particular day :)

The local Botanic Garden here in Stillwater often has family events throughout the year, and one week before Christmas last year they invited the public to come out for snacks, crafts, and a bit of a bonfire as well. They recently installed a model train on the premises which runs a few times each month, and because we knew they would have it operating during their Christmas event I made sure to bring my Fuji X100F and little Gorillapod with so I could try a few long-exposure shots and see what happened.

I set up my camera and tripod on one side of the train display while our kids ran around looking at the lights and trying to keep up with the trains as they completed their circuits around the tracks. My goal was to catch the trains in motion but also have a shallow depth of field to create a sense of foreground and background, which meant I had to shoot at f/2.8 with an ISO value of 200. This left me with a 2.5-second shutter speed in order to get the right exposure, though in hindsight I could have activated the built-in ND filter and gotten about seven seconds or possibly even more. I manually focused on the rocks because I wanted them to be nice and sharp, and I wasn’t too worried about the trains not being super well focused because I knew they would end up looking like blurry streaks anyway.

After getting one or two shots that I wasn’t quite happy with, I realized that I could use the burst mode on my camera to get five photos in succession and then just pick the one I liked the most. This resulted in several mediocre images but a couple ones that I really like, especially the one posted here. I always like the sense of motion that light trails give a shot, and it was neat to hear my oldest son ask me how I got the trains to move so fast. In reality they were chugging along kind of slow, but the motion trails here make them look like some kind of supersonic bullet trains.

After spending just a few minutes here I put the camera away and joined my wife and my boys at the hot chocolate station where we also met up with some friends who happened to be at the same event. It was a clear starry sky on a crisp December night, and having this photo is a nice way to remember it all.

To those of you who shoot film…I salute you.

I took this photo this when my wife and I were on a walk at Arcadia Lake just northeast of Oklahoma City, and as I knelt down on this leaf-strewn path I thought about my buddy Ryan who has taken some absolutely breathtaking images similar to this, but with a lot more mountains and water, using nothing but a light meter, some math, and a film camera. I had no such tools at my disposal and instead went with a decidedly modern approach: I shot this with my Fuji X100F which, despite looking kind of like an old-school film camera, is all ones and zeros on the inside. And as such I let the camera take care of all the heavy lifting. I was using Auto ISO with a minimum shutter of 1/125 and shot the first version of this at f/4 which, thanks to the ability to see the final image on the LCD screen on the back of the camera, I realized had a depth-of-field that was much too shallow. So I dialed in an aperture of f/8, focused on the tree  halfway down the path, and took the shot you see here.

Then when I got back to my computer I used Lightroom to edit the RAW file to my taste. The entire process was digital from start to finish, and while I’m certainly happy with the results I wonder what I would think if had shot this on film. Even something as simple as nailing the exposure would have been difficult because of the mix of highlights and shadows, and I almost certainly wouldn’t have gotten the composition to look how I wanted with the green mossy rock slightly out of focus in the foreground and horizon neatly bisecting the image just above the lower third.

Film shooters…you have a tricky job and I appreciate the work that goes into capturing images without a digital safety net.

What a blast from the past this was! I haven’t seen a stereo like this in years, so you can imagine my surprise when I was biking home from work and saw this old thing lying by the side of the road about a hundred yards west of a drainage ditch. It practically screams 1997 with a CD player, tape deck, analog radio tuner, and even an FM antenna wrapped around the handle. Just seeing this thing brought up all kinds of memories from high school and sitting in my basement listening to music while playing Zelda: Link’s Awakening on my Game Boy.

When I first biked past it was cold and the sun was rapidly setting, so I made a mental note to bring my camera and get a picture of this music machine on the way to work the following day.I figured my Fuji X100F would be perfect for the picture though I thought about bringing one of my DSLRs, but the picture I was envisioning was really better suited to the lens on the Fuji as opposed to any of the lenses I have for my Nikons. I knew I wanted to get a shot of the stereo and some of the surrounding environment, and the Fuji along with my Gorillapod proved to be just the ticket.The next morning the boom box was still there so I parked my bike on the boulevard, got out the camera and tripod, and took a few minutes for indulging in my photography.

To get a really clean image I set the ISO to 200 (I normally use auto-ISO, max 6400 with minimum shutter speed of 1/125) and opened the aperture up to f/2.0, but also activated the ND filter so I could get a longer exposure of 1/2 second. I was hoping to get some light trails from passing vehicles and when I was satisfied that I got the image I was hoping for I packed up, pulled my gloves back on, and went on my way to work.However, while I was looking through the photos I noticed something that I did not expect. The image I envisioned, that of the stereo in the grass with car headlights in the background, was decent but it paled in comparison to the image I ended up selecting for this week. See for yourself:

Do you notice the difference? While the second shot does indeed have a mark of light on the left side, the entire picture feels dull and lifeless compared to the one at the top of the page. Unbeknownst to me, I had inadvertently taken a picture (that I ended up using) with an oncoming car behind me whose headlights were casting a really nice yellow glow on to the stereo. It gives the subject a sense of life and vibrancy that’s totally missing from the second image, and really goes to show how much lighting can impact the overall results of a photograph.

On my way home later that day the boom box was gone, perhaps picked up by a passer-by or maybe just thrown into the trash. Either way I’m glad I was able to capture it for one moment as a fun trip down memory lane.

Here’s an interesting case of finding a photo opportunity in a somewhat unexpected scenario. I was out for a short walk around Theta Pond in the afternoon when I came across this…uh…plant? I don’t know what it is, but there’s a lot of them around the pond here at OSU and I’m no botanist as you probably know by now. Anyway, the scene was altogether unremarkable, except for one interesting twist: the sun was already getting low on the horizon which made for a unique mix of colors and light.

Normally when I’m taking pictures I tend to put myself between the light source and my subject, but in this case I did the opposite. By positioning the subject (i.e. this withering, brown, and mostly unremarkable leaf) between my camera the the light source (i.e. the sun) it created a neat effect where it almost seems like the leaf is glowing. I didn’t think about this at first, mind you, and it was only after a few minutes of playing around with different compositions that I stumbled across this particular angle and figured I would give it a try.

The first thing I did was put my camera (in this case, my Fuji X100F) in RAW instead of JPG because I figured I would need the leeway when editing. Then I had to figure out what to shoot and how to shoot it. I realized that if I got down low, shot at f/2.8, and tried to compose the shot in such a way that there would be a bit of foreground as well as background, it might look interesting. I put the leaf slightly off center and I think the end result works quite well. To give you an idea of what I was working with I returned a few hours later on my way home from work and took a picture after the sun had gone down a bit farther. You can see it below, and the leaves in the shot above are circled in red.

Pretty boring, eh? I guess it just goes to show how much of a difference lighting can make when taking photos. And I would challenge you to keep this in mind as well, especially at times of the year such as winter (for those of us in the northern hemisphere, that is) when the sun is often much lower on the horizon compared to the summer months. You might find that otherwise ordinary scenes become transformed into rich photographic opportunities.